Publisher: Rupa Publications
Author: Sakoon Singh
Title: In the Land of the Lovers - A Punjab Qissa
Nanki was orphaned at a young age when her parents died in a car crash. Her maternal grandparents took her in and raised her. They live in a cosy little house in an upper sector of Chandigarh. For those who live in Chandigarh, or know about it, will know that the upper sectors contain the old landed gentry, people of good means. The smaller the number of your sector, the better your location.
Coming back to Nanaki, she is now lecturing at Govt. College of Arts. When Nanaki's college decides to showcase the artwork of a couple of artists, she is appalled to learn that one of these has been promoted out of favoritism. She wants to promote the embroidery work of an acquaintance who deserves to be showcased. She finds herself rubbing up her superiors the wrong way and is being discriminated against. In the meantime she runs into Himmat Singh an architect who needs her help in choosing artwork to display in a club he has just finished constructing. She finds herself drawn to him.
Interspersed in the story are the tales of Nanaki's grandmother who had to flee their village in Pakistan during Partition. Her grandmother was then a young newlywed girl and pregnant. She had witnessed her father being killed by his neighbours. Her mother in tow, she had trudged for miles till she reached India to her husband and safety. Nanaki grew up listening to these harrowing tales of her grandmother and developed an empathy for those in trouble.
I loved Sakoon Singh's descriptions. She takes time to describe everything, the run down college building, a tea shack, a garden, a house. Her magic touch makes us conjure up the picture she paints with words.
Nanaki is a heroine of a kind we need to see more of. She is alive to everything world offers, good, beautiful, bad or ugly. She is a sensitive person who sympathises with people from all walks of life. To be honest, people in Chandigarh are famous for being very affected, conscious of their possessions and status. Rich people like to flaunt brands and go about living brashly, secure in the knowledge that their connections will shield them from harm, even if they commit murder. In such a culture, a heroine like Nanaki is like a breath of fresh air. Her empathy makes her a beautiful person, in and out.
I thought Himmat Singh's story was inadequate. He gets a chapter to himself. I would have liked to see his story run parallel to Nanaki's. If not that, it could have been reduced to a couple of paragraphs. It was neither here nor there to have his story told in some detail but not enough. Similarly Neena, their plump and garrulous neighbour needed more exposure. Neena is so delightfully human and Punjabi. She is devious yet affectionate, intrusive yet caring. I would have liked some more of her story.
Sakoon Singh brings out the favoritism and politics prevalent everywhere, from a college campus to drug rehabilitation center. She describes the pangs of first love so well. Nanaki has not forgotten her first kiss and still moons over the boy who kissed her, while he has (typically) moved on. We get a wonderful glimpse into the awakened sexuality of Nanaki. Her first intimate encounter was very tastefully described.
Every Chandigarhian worth his salt has made a quick dash to Kasauli (a hill station about 60 kms away). This book, so steeped in Chandigarh culture, has a couple of such trips. I often wondered why there weren't more books based in Chandigarh. I am partially mollified by this book and hope there will be many more that depict this unique City Beautiful.
Sakoon Singh has given us this very evocative novel, set in our times, steeped in Punjabiyat (Punjabi way of life). I will be watching eagerly for her next offering.
Author: Sakoon Singh
Title: In the Land of the Lovers - A Punjab Qissa
Nanki was orphaned at a young age when her parents died in a car crash. Her maternal grandparents took her in and raised her. They live in a cosy little house in an upper sector of Chandigarh. For those who live in Chandigarh, or know about it, will know that the upper sectors contain the old landed gentry, people of good means. The smaller the number of your sector, the better your location.
Coming back to Nanaki, she is now lecturing at Govt. College of Arts. When Nanaki's college decides to showcase the artwork of a couple of artists, she is appalled to learn that one of these has been promoted out of favoritism. She wants to promote the embroidery work of an acquaintance who deserves to be showcased. She finds herself rubbing up her superiors the wrong way and is being discriminated against. In the meantime she runs into Himmat Singh an architect who needs her help in choosing artwork to display in a club he has just finished constructing. She finds herself drawn to him.
Interspersed in the story are the tales of Nanaki's grandmother who had to flee their village in Pakistan during Partition. Her grandmother was then a young newlywed girl and pregnant. She had witnessed her father being killed by his neighbours. Her mother in tow, she had trudged for miles till she reached India to her husband and safety. Nanaki grew up listening to these harrowing tales of her grandmother and developed an empathy for those in trouble.
I loved Sakoon Singh's descriptions. She takes time to describe everything, the run down college building, a tea shack, a garden, a house. Her magic touch makes us conjure up the picture she paints with words.
The house lay hidden behind dense foliage set off by a row of tall areca palms, their fronds and panicles making for dark silhouettes at twilight. On a day like this, the trees would sway noisily in the breeze, creating a loud rustle against the turbulent sky.Indian Fiction is, alas, often a victim of inconsistent editing which brings down the quality of the book. Here and there, the book was peppered with avoidable mistakes.
Nanaki is a heroine of a kind we need to see more of. She is alive to everything world offers, good, beautiful, bad or ugly. She is a sensitive person who sympathises with people from all walks of life. To be honest, people in Chandigarh are famous for being very affected, conscious of their possessions and status. Rich people like to flaunt brands and go about living brashly, secure in the knowledge that their connections will shield them from harm, even if they commit murder. In such a culture, a heroine like Nanaki is like a breath of fresh air. Her empathy makes her a beautiful person, in and out.
I thought Himmat Singh's story was inadequate. He gets a chapter to himself. I would have liked to see his story run parallel to Nanaki's. If not that, it could have been reduced to a couple of paragraphs. It was neither here nor there to have his story told in some detail but not enough. Similarly Neena, their plump and garrulous neighbour needed more exposure. Neena is so delightfully human and Punjabi. She is devious yet affectionate, intrusive yet caring. I would have liked some more of her story.
Sakoon Singh brings out the favoritism and politics prevalent everywhere, from a college campus to drug rehabilitation center. She describes the pangs of first love so well. Nanaki has not forgotten her first kiss and still moons over the boy who kissed her, while he has (typically) moved on. We get a wonderful glimpse into the awakened sexuality of Nanaki. Her first intimate encounter was very tastefully described.
Every Chandigarhian worth his salt has made a quick dash to Kasauli (a hill station about 60 kms away). This book, so steeped in Chandigarh culture, has a couple of such trips. I often wondered why there weren't more books based in Chandigarh. I am partially mollified by this book and hope there will be many more that depict this unique City Beautiful.
Sakoon Singh has given us this very evocative novel, set in our times, steeped in Punjabiyat (Punjabi way of life). I will be watching eagerly for her next offering.